Friday, September 30, 2011

Damon Lindelof talks Michael Fassbender in Prometheus

20th Century Fox is being incredibly tight-lipped about Ridley Scott's new addition to the Alien series but a few more details about Prometheus are starting to emerge.Yesterday we had an official synopsis that answered a few questions and now writer Damon Lindelof has revealed some very interesting details."[Michael Fassbender] plays a robot. One of the things that evokes the idea of Blade Runner is, 'What does the movie look like from the robot's point of view?' If you were to ask him, 'What do you think about all of this? What's going on? What do you think about these humans who are around you?', wouldn't it be cool if we found a way for that robot to answer those questions," Lindelof said in an interview with MTV.Lindelof also talked about Charlize Theron's role and her character's paycheck courtesy of Weyland-Yutani."Her character's name is Meredith Vickers and she's sort of a corporate entity. That's another one of the familiar things from the Alien movies - that there are corporate interests in play. I feel like Charlize brought a new spin on that old variation. It's a remix... I don't think she's slimy [like Paul Reiser's character in Aliens]. She's not the fast-talking, snake-oil face of the company. By the way, 'What company is she a face of?' I think is a big part of the fun. As we were developing the script, she had some really cool ideas that made it not the suit you're used to."Lindelof is also keen to stress that this is all Ridley's vision, despite his work on the script: "It was really about channelling that idea so that I was realising his vision, as opposed to imposing my vision on it."

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Tuesday, September 27, 2011

'Way' more than expected

Charlie Sheen, Emilio Estevez, Ramon Estevez and Martin Sheen keep it in the family at the Nokia Theater premiere of "The Way" last week. It was a family affair at the premiere of "The Way" at the Nokia Theater Friday afternoon.Not only did father-son duo Martin Sheen and Emilio Estevez team up for the movie but Charlie Sheen also showed up, eliciting screams from fans outside."This is the closest role I think he's ever played to himself," Estevez said of his father. "People know him from 'Apocalypse Now,' people know him from 'Badlands.' He's not a killer, right? He's just not." Sheen thanked his helmer son, because he "incorporated all the things that would make the film something that an old guy could do."

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Wednesday, September 21, 2011

Watch Liam Neeson Fight Baby wolves in First Trailer for 'The Grey'

Take the time to think about the crappy day presented within the first trailer for 'The Grey': Besides the plane flying several Alaskan pipeline employees crash, however the children are then instructed to protect against a pack of ravenous baby wolves within the dead of winter to outlive. Maybe someone really wants to pour sugar in star Liam Neeson's vehicle's gas tank to top things off? Contemplate that although you watch the very first trailer for that backwoods thriller. Directed by Joe Carnahan ('The A-Team'), 'The Grey' reaches theaters on Jan. 27, 2012.

Monday, September 19, 2011

Melissa McCarthy Talks Emmy Win, Hosting SNL & More Bridesmaids

La, Calif. -- Fresh off her win for Outstanding Lead Actress inside a Comedy Series last evening in the 63rd Annual Primetime Emmy Honours, Melissa McCarthy told Access Hollywood everything felt wonderful. I seem like Im likely to awaken, and, you realize, its likely to be like 4:30 AM and my kids likely to be like, Uh, can one possess some milk? the Mike & Molly star told Access Rob Robinson backstage in the Emmy Honours in La. Yeah, this isn't in a arena of, Oh, this appears right. Melissa ongoing. [But,] I am not likely to fight it. The actress is only going to possess a couple of days to take pleasure in the glow of her Emmy win, as shes on NY and back at the office hosting NBCs Saturday Evening Survive October 1. Im totally nervous, however i cannot wait. I only say take it on! she told Rob. Used to do 12-fifteen years at Groundlings, of look foward to sketch comedy. For focusing on a follow up to her runway giant screen hit, Bridesmaids, spend be there if she will get a phone call. Theres been no official talk, she told Rob. [But, I consider using any means with individuals women, or [director] Paul Feig, or Judd Apatow again. Adding, Unless of course everybody except me is signed on. Is the fact that what is happening? Everyone! Wah-wah, thatd be this type of bummer. Copyright 2011 by NBC Universal, Corporation. All privileges reserved.These components might not be released, broadcast, rewritten or redistributed.

Saturday, September 17, 2011

City seen as an plus for NYMF projects

'Kiki Baby' is about the slate in the NY Musical Theater Festival. Large-money hits from "Wicked" to "It of Mormon" to such performance-oriented Television shows as "Glee" and also the approaching "Smash" keep motivating producers to build up new musicals. Before individuals shows can land a long run, they need to walk. And that is where, for a number of them, the NY Musical Theater Festival (running Sept. 26-March. 16) is available in. "Through the years, NYMF continues to be recognized like a place where projects that do not have connections in the market can stand before a crowd and go onto the next phase,Inch states fest professional director Isaac Robert Hurwitz. "It is also a location where projects from well-known people who maybe haven't found traction yet is visible and developed." The eighth annual fest's slate around 30 shows includes names that vary wildly from little-known up-and-comers to Rialto veterinarians, including Lonny Cost ("Master Harold and also the Boys"), David Shire ("Large") and Andrea McArdle ("Annie"). Notable past fest output includes "Alongside Normal" and "[title of show]," each of which eventually continued to Broadway, in addition to Off Broadway veterinarians "Yank!" and lengthy-runner "Altar Boyz." The curated selection reps a mix of tuners asked to look within the fest through industry networking as well as the "Next Link" roster of musicals that land in the festival via its open distribution policy. Event earnings about 40,000 participants each year. A slot within the fest is not even close to a totally free ride. Although Hurwitz estimations NYMF provides about $30,000 in marketing, production along with other support for every show, additional budget costs per project run from $15,000 on up -- and every one of it must be elevated through the creatives or perhaps an attached producer. , about 25% which is produced by ticket salesTor Hyams and Adam LeBow's tuner "Greenwood," for example, includes a cast of 22 and five music artists. The creatives the NYMF production, funded usually by "individuals who love the project and those that love us," is managing a price within the high five figures. "Greenwood" had earlier blood pressure measurements in L.A., "but to consider a project one stage further, you need to get musical theater industry individuals to view it in NY," states Hyams from the show, a semi-autobiographical take a look at several grown ups getting back in a performance-oriented camp. "When NYMF emerged like a possibility, it appeared prefer platform for all of us.Inch For Cost, who's co-pointing Jenn Colella-toplined black comedy "Kiki Baby," his second show at NYMF, among the key benefits of the fest would be that the theater biz runs with the center from the city. "To walk out town, I could not obtain the quality of entertainers I've now," he states. "And I'll have really wise people within the audience watching it and giving notes." The festival initially needed to create an account by itself outside of another fall event, the nation's Alliance for Musical Theater's festival, which presents a far more focused assortment of tuners observed in 45-minute staged blood pressure measurements by a business-only aud. With this largely accomplished, next year's NYMF will change to midsummer, running This summer 9-29 inside a timeslot when property demands and legit arranging should prove calmer compared to new-season hurry of fall. Regardless of once the fest happens, however, it's become obvious through the years that the visit NYMF can put a project on the path to the Rialto -- eventually. "What we should do at NYMF isn't the final stage of these shows," Hurwitz states. " 'Next to Normal' required 4 years to achieve Broadway, and thus did '[title of show].' " Contact Gordon Cox at gordon.cox@variety.com

Tuesday, September 13, 2011

Trespass

Nicolas Cage and Nicole Kidman star in the Joel Schumacher thriller 'Trespass.'A Millennium Entertainment release of a Millennium presentation of a Nu Image/Winkler Films production in association with Saturn Films. Produced by Irwin Winkler, David Winkler, Rene Besson. Executive producer, Avi Lerner, Danny Dimbort, Trevor Short, Boaz Davidson, John Thompson. Co-producer, Matthew Leonetti Jr. Directed by Joel Schumacher. Screenplay, Karl Gajdusek.Kyle Miller - Nicolas Cage Sarah Miller - Nicole Kidman Elias - Ben Mendelsohn Avery Miller - Liana Liberato Jonah - Cam Gigandet Petal - Jordana Spiro Ty - Dash Mihok Kendra - Emily MeadeYet another intense thriller about an upscale family terrorized by violent home invaders, "Trespass" takes an old-school approach to unsettling auds, largely eschewing the sadism and nihilism that lately have been hallmarks of this subgenre. Helmer Joel Schumacher and a game cast headed by Nicolas Cage and Nicole Kidman do their damnedest to build and sustain suspense while trying, with some degree of success, to breathe fresh life into a formulaic, even generic scenario. Still, B.O. expectations are something less than lofty: Pic kicks off VOD and theatrical runs Oct. 14, with homevid release announced for Nov. 1. Opening scenes briskly illuminate financial and familial tensions while introducing Kyle Miller (Cage), a fast-talking diamond dealer; Sarah (Kidman), his gorgeous architect wife; and Avery (Liana Liberato of David Schwimmer's "Trust"), their rebellious teenage daughter. Even as Kyle wheels his Porche through the security gate and into the driveway of his ultra-expensive (and conspicuously unfinished) steel-and-glass modernist home, Kyle struggles to repress desperation and exude confidence while teleconferencing with potential clients and debt collectors. Once inside the house -- which, very conveniently for plot purposes, is located in a secluded spot surrounded by a thick forest -- Kyle finds his wife and daughter arguing over whether Avery should attend a party with an uninhibited friend. Avery refuses to take no for an answer and slips out the back door, leaving her parents alone long enough to share a meaningful conversation about the emotional distance between them. Then bad guys disguised as cops arrive at their door, and the nightmare begins in earnest. Much of "Trespass" is devoted to Kyle's frantic bouts of bargaining with the invaders' belligerently sarcastic leader, Elias (Ben Mendelsohn, "Animal Kingdom"), a tough but not unintelligent fellow who appears to know a great deal about the security system of Kyle's house and the likely contents of Kyle's safe. Despite physical and verbal abuse, Kyle refuses to open that safe, fearing, with ample justification, that as soon as the intruders get what they want, they'll kill him, his wife and, after she returns unexpectedly, Avery. Cage is in fine form throughout "Trespass," especially during those stretches when Kyle -- sometimes shrewd, sometimes scared, always plotting his next counter-offer -- improvises one frantic negotiation after another. What Kyle gives is nothing short of the sales pitch of a lifetime. Appropriately enough, Mendelsohn powerfully portrays Elias as the most unreasonably demanding customer the diamond dealer has ever encountered. While working entirely within genre conventions and expectations, scripter Karl Gajdusek nonetheless manages to spring a few surprises while revealing character motivations, often suggesting that nothing, not even flashbacks, should be taken at face value. He also does a clever job of planting elements in the first act for ironic payoff in the third; some viewers may laugh out loud as soon as they realize why, late in the story, they're returning to a roadside location visited earlier. Some of the dialogue is cringe-worthy banal or worse, and the actors can't do anything with the worst lines but shout them at the top of their lungs. Cage risks inspiring derisive giggles when he snarls, for reasons best left unexplained, "Your filthy lust invited them in!" Overall, though, the perfs are pitched at the right emotional extremes. Kidman credibly conveys everything from bemused maternal concern to teary and trembling terror, and she also enhances the ambiguity of her scenes alone with Cam Gigandet, who's well cast as a seemingly sensitive intruder. Production designer Nathan Amondson and ace lenser Andrzej Bartkowiak are of immeasurable assistance to Schumacher as the vet helmer contrives to make the sprawling Miller family home seem like the most claustrophobic place on earth.Camera (Technicolor), Andrzej Bartkowiak; editor, Bill Pankow; music, David Buckley; production designer, Nathan Amondson; art director, William Budge XVI; set designer, Patricia Klawonn, Wm. Law III; costume designer, Judianna Makovsky; sound (Dolby Digital), Jay Meagher; associate producer, Per Saari; assistant director, Nilo Otero; casting, Jessica Kelly, Suzanne Smith Crowley. Reviewed at Toronto Film Festival (Gala Presentations), Sept. 12, 2011. MPAA Rating: R. Running time: 90 MIN. Contact the Variety newsroom at news@variety.com

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Saturday, September 10, 2011

Fox bets on DreamWorks' 'Robopocalypse'

SpielbergNot flinching after missing with "Cowboys & Aliens," DreamWorks is doubling down on original sci-fi summer fare with "Robopocalypse" and -- just as with its $160 million-plus genre mash-up -- has lined up outside money to hedge the bet. The biggest differences this time: Instead of Jon Favreau, they've got Steven Spielberg. And instead of Universal/Relativity sharing the risk, DreamWorks is going halfsies with 20th Century Fox. Disney will distribute "Robopocalypse" domestically through its Touchstone label, while Fox will handle international territories. The companies will share equally in worldwide theatrical revenues from the day-and-date release and will unspool the pic over the July 4 weekend in 2013 -- one week earlier than Warner Bros.' robots-vs.-aliens pic "Pacific Rim." The dating is doubly interesting, given that sources close to "Robopocalypse" say Legendary, which set up "Pacific Rim" with Guillermo del Toro, had sniffed around the Spielberg project before it ultimately landed at Fox. While the idea of Spielberg directing a futuristic summer tentpole about robots seems like a sure bet -- prompting some to question why DreamWorks would give away a piece of the profit pie -- the company has typically lined up a studio partner on big-budget productions. Fox and Spielberg have a film relationship dating back to 2002's "Minority Report," which grossed nearly $300 million worldwide, and more recently through 20th Century Fox TV's "Terra Nova," which Spielberg is exec-producing with Peter Chernin. For "Robopocalypse," Spielberg developed the script along with DreamWorks co-chairman and CEO Stacey Snider. Fox had been aggressively courting the project, enticed by Spielberg's heft behind an original event film. "It feels to us, in a world of events, that this is an uber-event," one exec close to the project says. Sci-fi epic was adapted from Daniel H. Wilson's novel by scribe Drew Goddard. n Contact Rachel Abrams at Rachel.Abrams@variety.com

Friday, September 9, 2011

Firth to star in 'Railway Man'

TORONTO -- Colin Firth is placed to star in epic drama "The Railway Guy," helmed by Jonathan Teplitzky and in line with the tome by Eric Lomax.Lionsgate U.K. has clicked up Brit privileges for that pic while Lionsgate Worldwide is handling worldwide sales and can shop the project to purchasers in Toronto.Pic, that is modified by Andy Paterson and Frank Cottrell Boyce, is dependant on Lomax's account of his torture throughout the making of the Dying Railway in The Second World War and the mission decades later to find revenge on his tormentor.Paterson will produce through his Brit shingle Archer Street with Bill Curbishley and photographs in Paradise's Chris Brown while Lionsgate U.K.'s Zygi Kamasa will professional produce.Pic, which marks the very first major investment from Daria Jovicic's Latitude Media, will start lensing in Feb 2012 in Blighty, Thailand and Oz and it is the official Australia-U.K. co-production.Project reunites Paterson and Teplitzky, who lately worked with on Matthew Goode starrer "Burning Guy," that will screen in Toronto on Saturday.Transmission, which pre-bought "Burning Guy" and launched Firth starrer "The King's Speech" here, will distribute the pic in New zealand and australia. Contact Diana Lodderhose at diana.lodderhose@variety.com

Entertainment Stocks Take Another Beating

Labor Day has transpired, but Wall Street's tough summer time remains, using the S&P 500 sinking another 2.7 percent on Friday and many entertainment stocks faring worse than that. News Corp. was the very best of the conglomerates Friday, losing a comparatively mild 1.6 % of their value while CBS was lower 4 %, Time Warner dropped 3.2 percent, Disney sunk 2.9 % and Comcast fell 2.4 %. The new sony and Viacom were each off 2.3 %. More carnage, though, was observed in more compact media companies: Imax fell 7.8 percent, America online was lower 5.3 %, Live Nation dropped 5.1 %, Crown Media lost 4.8 percent, National CineMedia dropped 4.7 percent and Regal Entertainment was lower 4.3 %. A couple of rare those who win Friday amongst a drubbing that knocked 303 points from the Dow Johnson Industrial Earnings incorporated slight gains for Take-Two Interactive Software, Sinclair Broadcast Group and Yahoo. That old adage that recommends traders to "disappear in May" was appropriate this season for that major entertainment conglomerates. Since Memorial Day, The new sony has sunk 27 percent, Disney 25 %, CBS 20 %, Time Warner 19 percent, Comcast 16 percent, News Corp. 13 percent and Viacom 9 %. Related Subjects Time Warner Viacom Comcast CBS The Wally Disney Company News Corp. The new sony

Tuesday, September 6, 2011

'Bridesmaids' Actress Signs on for 'Magic Mike'

Wendi McLendon-Coveyhas became a member of the cast of directorSteven Soderbergh's next project,Miracle Mike.our editor recommends'Bridesmaids' Star Wendi McLendon-Covey Joins 'What to anticipate When You are Expecting' (Exclusive) The drama, which is dependant on the teenage encounters of actorChanning Tatum,happens on the planet of male strippers.Tatum,Matthew McConaughey,Alex Pettyfer,Matt Bomer,Cody Horn,Riley Keoughand comedianGabriel Iglesiasmake up a lot of the primary cast. The storyline follows an experienced stripper's tries to educate a rookie on the summer time. Tatum, Nick Wechsler, Gregory Jacobs and also the film's film writer, Reid Carolin, are creating. McLendon-Covey, who's repped by John Carrabino Management, has made an appearance onCBS'sRules of Engagement,Comedy Central'sReno: 911and Lifetime'sLovespring Worldwide. In film, she most lately made an appearance in Bridesmaids, and she or he has approaching roles within the indie comedy Sleeping Around and also the Lionsgate ensemble comedy What to anticipate Whenever You're Expecting. Related Subjects Steven Soderbergh Bridesmaids

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